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Then, he experimented with improvising entire songs in solo acts with the Line 6, while trying to sound like Tom Waits, playing initial gigs at small Seattle venues and artist bungalows.

While in Seattle, Watts composed musical scores for Northwest dance choreographers and he dabbled in sketch comedy with future theatrical collaborator Tommy Smith.

While recording and touring circa 1996-2000 with Wayne Horvitz 4 1 Ensemble as a keyboardist, Watts was forced to downsize his effects pedal from a Roland Space Echo tape delay to a Line 6 DL4 delay modeler, a smaller device that makes it easy to travel.

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Watts refers to himself as a "disinformationist", aiming to disorient his audiences. While in Seattle, he played in a number of Seattle bands of wildly varying genres, including Hit Explosion, Swampdweller, Action Buddy, Chiarrscuro, Clementine, Smell No Taste, Wayne Horvitz 4 1 Ensemble, Das Rut, Synthclub, Elemental, Eyvand Kang Seven Nades, and Free Space, amongst others.

In 1996, Watts became the front man for soul, rock, and hip hop group Maktub.

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